Catch Wrestling

Also known as	Catch-as-catch-can, Loose-Hold
Focus	Grappling Pinning Submission
Country of origin	United Kingdom
Famous practitioners	Dan Koloff Evan Lewis Farmer Burns Frank Gotch Ed "Strangler" Lewis Ad Santel Joe Stecher John Pesek Karl Gotch Billy Riley Billy Robinson Kazushi Sakuraba Masakatsu Funaki Minoru Suzuki Gene Lebell Frank Shamrock Ken Shamrock Randy Couture Erik Paulson Josh Barnett Harry Smith
Parenthood	Cumberland & Westmorland wrestling Cornish & Devonshire wrestling Lancashire wrestling[1] Irish Collar-and-elbow Rough And Tumble Greco-Roman wrestling Pehlwani Malla-yuddha Jujutsu
Descendant arts	Freestyle Wrestling Collegiate Wrestling Professional Wrestling Shoot Wrestling
Olympic sport	Yes (as amateur freestyle wrestling)

Catch wrestling is a classical hybrid grappling style that was developed in Britain circa 1870 by Mr. J. G. Chambers^[2] then later refined and popularised by the wrestlers of travelling carnivals who developed their own submission holds, or "hooks", into their wrestling to increase their effectiveness against their opponents. Catch wrestling derives from a number of different styles, the English style's of Cumberland and Westmorland wrestling,^[2] Cornwall and Devon wrestling,^[2] Lancashire wrestling,^[1] Irish collar-and-elbow wrestling, Greco Roman wrestling, Japanese Judo & Jujutsu, styles of the Indian subcontinent such as Pehlwani and Iranian styles such as Varzesh-e Pahlavani.^[3] The training of some modern submission wrestlers, professional wrestlers and mixed martial arts fighters is founded in Catch Wrestling.

History [edit]

A hammerlock as demonstrated in Farmer Burns' correspondence course, 1913

In 1871, Mr. J. G. Chambers, of aquatic and pedestrian celebrity, and some time editor of Land and Water, endeavored to introduce and promote a new system of wrestling at Little Bridge Grounds, West Brompton, which he denominated, "The Catch-as-catch-can Style."^[2] Unfortunately, the new idea met with little support at the time, and a few years afterwards Mr. Chambers was induced to adopt the objectionable fashion of allowing the competitors to wrestle on all-fours on the ground. This new departure was the forerunner of the total abolition of the sport at that athletic, and within a short period the wrestling, as an item in the program.

Various promoters of the exercise, notably Mr. J. Wannop, of New Cross, attempted to bring the new system prominently before the public, with the view of amalgamating the three English styles viz. the Cumberland and Westmorland, Cornwall and Devon, and Lancashire.^[2] Then the sudden development of the Cumberland and Westmorland Amateur Wrestling Society, brought the new style prominently to the front, and special prizes were given for competition in that class at the society's first annual midsummer gathering at the Paddington Recreation Grounds, which was attended by Lord Mayor Whitehead and sheriffs in state.

Wrestling on the "Catch-as-catch-can" principle was new to many spectators, but it was generally approved of as a great step in advance of the loose-hold system, which includes struggling on the ground and sundry objectionable tactics, such as catching hold of the legs, twisting arms, dislocating fingers, and other items of attack and defense peculiar to Lancashire wrestling.^[2]

When Catch wrestling reached the United States in the late 19th and early 20th century it became extremely popular with the Wrestlers of the carnivals. The carnival's wrestlers challenged the locals as part of the carnival's "athletic show" and the locals had their chance to win a cash reward if they could defeat the carnival's strongman by a pin or a submission. Eventually, the carnival's wrestlers began preparing for the worst kind of unarmed assault and aiming to end the wrestling match with any tough local quickly and decisively via submission. A hook was a technical submission which could end a match within seconds. As carnival wrestlers travelled, they met with a variety of people, learning and using techniques from various other folk wrestling disciplines, especially Irish Collar & Elbow, many of which were accessible due to a huge influx of immigrants in the United States during this era.

Catch Wrestling contests also became immensely popular in Europe involving the likes of the Indian national wrestling champion Great Gama, Imam Baksh Pahalwan, Gulam, Bulgarian world heavyweight champion Dan Kolov, Swiss champion John Lemm, Americans Frank Gotch, Ralph Parcaut, Ad Santel, Ed Lewis, Lou Thesz and Benjamin Roller, Mitsuyo Maeda from Japan, and Georg Hackenschmidt. Travelling wrestlers and European tournaments brought together a variety of folk wrestling disciplines including the Indian variety of Pehlwani, Judo and Jujutsu from Japan, and others. Each of these disciplines contributed to the development of catch wrestling in their own way.^[4]

Techniques [edit]

The British term "catch as catch can" is generally understood to mean "catch (a hold) anywhere you can". As this implies, the rules of catch wrestling were more open than the earlier Folk styles it was based on and its French Greco-Roman counterpart which did not allow holds below the waist. Catch wrestlers can win a match by either submission or pin, and most matches are contested as the best two of three falls. Often, but not always, the chokehold was barred. Also just as today "tapping out" signifies a concession as does shouting out "Uncle!", back in the heyday of catch wrestling rolling to one's back could also signify defeat. Frank Gotch won many matches by forcing his opponent to roll over onto their back with the threat of his toe-hold.^[5] Some matches however didn't include pins as a way to win but they were used for control and to get submissions

However, in traditional Catch Wrestling, hooks are used rather than submissions. Hooks are a form of submission where the submission may be executed so fast that the loser has no time to tap out & were probably derived from the Rough & Tumble mindset. Therefore, another name for a catch wrestler is a "hooker." A "hook" can be defined as an undefined move that stretches, spreads or compresses any joint or limb. Catch wrestling techniques may include,but are not limited to: the Arm Bar, Japanese Arm Bar, Hammerlock, Bar Hammerlock, Straight Arm Bar, Wrist Lock, Double Wrist Lock (this move is also known as the Kimura in BJJ, or the reverse Ude-Garami in Judo), Head Scissors, Chest Lock, Abdominal Lock, Body Scissors, Achilles Tendon Hold, Knee Bar, Leg Lock, Ankle Twist (or Ankle hold/lock), Abdominal Stretch, Toe Hold, Shin Lock, Key Lock (or Arm Scissors), Half Nelson, Full Nelson and almost infinite others. Almost all moves have their own variations and different predicaments they can be pulled off in.

Many of such novel techniques arose out of cross cultural exchanges with Japanese Jiu Jitsu proponents.^[6]

The rules of catch wrestling would change from venue to venue. Matches contested with side-bets at the coal mines or logging camps favoured submission wins where there was absolutely no doubt as to who the winner was. Meanwhile professionally booked matches and amateur contests favoured pins that catered to the broader and more genteel paying fan-base.

The impact of Catch wrestling on modern day amateur wrestling is also well established. In the film Catch: The Hold Not Taken, US Olympic Gold Medalist Dan Gable talks of how when he learned to wrestle as an amateur the style was known locally, in Waterloo Iowa, as catch-as-catch-can. The wrestling tradition of Iowa is rooted in catch wrestling as Farmer Burns and his student Frank Gotch are known as the grandfathers of wrestling in Iowa. Modern International freestyle wrestling & American Folkstyle Wrestling are literally Amateur Catch Wrestling without the submissions just like modern Amateur Judo consists of throws but no submissions.

Martial arts [edit]

Mixed martial arts [edit]

Karl Gotch was a catch wrestler and a student of Billy Riley's Snake Pit in Whelley, Wigan. Gotch taught catch wrestling to Japanese professional wrestlers in the 1970s including Antonio Inoki, Tatsumi Fujinami, Hiro Matsuda, Osamu Kido, Satoru Sayama (Tiger Mask) and Yoshiaki Fujiwara. Starting from 1976, one of these professional wrestlers, Inoki, hosted a series of mixed martial arts bouts against the champions of other disciplines. This resulted in unprecedented popularity of the clash-of-styles bouts in Japan. His matches showcased catch wrestling moves like the sleeper hold, cross arm breaker, seated armbar, Indian deathlock and keylock.

Gotch's students formed the original Universal Wrestling Federation (Japan) in 1984 which gave rise to shoot-style matches. The UWF movement was led by catch wrestlers and gave rise to the mixed martial arts boom in Japan. Wigan stand-out Billy Robinson soon thereafter began training MMA legend Kazushi Sakuraba. Catch wrestling forms the base of Japan's martial art of shoot wrestling. Japanese professional wrestling and a majority of the Japanese fighters from Pancrase, Shooto and the now defunct RINGS bear links to catch wrestling. Randy Couture, Kazushi Sakuraba, Kamal Shalorus, Takanori Gomi, and Josh Barnett, among other mixed martial artists, study catch wrestling as their primary submission style.^[7]

The term no holds barred was used originally to describe the wrestling method prevalent in catch wrestling tournaments during the late 19th century wherein no wrestling holds were banned from the competition, regardless of how dangerous they might be. The term was later applied to mixed martial arts matches, especially at the advent of the Ultimate Fighting Championship.^[8]

See also [edit]

Catch: The Hold Not Taken - a 2005 documentary film investigating the roots of different styles of wrestling.

References [edit]

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