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To best understand Iran, their related societies and their people, one must first attempt to acquire an understanding of their culture. It is in the study of this area where the Iranian people's identity optimally expresses itself. As the first sentence of prominent Iranologist Richard Nelson Frye's latest book on Persia reads: "Iran's prize possession has been its culture."
Thus an eclectic cultural elasticity has been said to be one of the key defining characteristics of the Persian spirit and a clue to its historic longevity. Furthermore, Iran's culture has manifested itself in several facets throughout the history of Iran as well as that of Central Asia.
The article uses the words Persian and Iranian interchangeably, sometimes referring to the language and its speakers, and other times referring to the name of pre-20th century Iran, a nomenclature which survives from western explorers and orientalists. Both are not the same however, and the cultures of the peoples of Greater Persia are the focus of this article.
Iran has one of the richest art heritages in world history and encompasses many disciplines including architecture, painting, weaving, pottery, calligraphy, metalworking and stonemasonry. There is also a very vibrant Iranian modern and contemporary art scene.
Iranian art has gone through numerous phases of evolution. The unique aesthetics of Iran is evident from the Achaemenid reliefs in Persepolis to the mosaic paintings of Bishapur. The Islamic era drastically brought changes to the styles and practice of the arts, each dynasty with its own particular foci. The Qajarid era was the last stage of classical Persian art, before modernism was imported and suffused into elements of traditionalist schools of aesthetics.
Language and literature 
There are several languages spoken in different parts of Iran. The predominant language and national language is Persian, which is spoken across the country. Azeri is spoken primarily in the northwest, Kurdish primarily in the west, Arabic primarily in the Persian Gulf coastal regions, Balochi primarily in the east and Turkmen primarily in northern border regions.
Persian literature inspired Goethe, Ralph Waldo Emerson, and many others, and it has been often dubbed as a most worthy language to serve as a conduit for poetry. Dialects of Persian are sporadically spoken throughout the region from China to Syria, though mainly in Iranian Plateau. Two important dialects of Persian serving as languages are Tajiki and Dari respectively spoken in Tajikistan and Afghanistan as official languages.
Contemporary Iranian literature is influenced by classical Persian poetry, but also reflects the particularities of modern day Iran, through writers such as Houshang Moradi-Kermani, the most translated modern Iranian author, and poet Ahmad Shamlou.
Religion in Iran 
Zoroastrianism was the national faith of Iran for more than a millennium before the Arab conquest. It has had an immense influence on Iranian philosophy, culture and art after the people of Iran converted to Islam.
Today of the 98% of Muslims living in Iran, around 89% are Shi’a and only around 9% are Sunni. This is quite the opposite trend of the percentage distribution of Shi’a to Sunni Islam followers in the rest of the Muslim population from state to state (primarily in the Middle East) and throughout the rest of the world.
Followers of the Baha'i faith comprise the largest non-Muslim minority in Iran. Followers of the Baha'i faith are scattered throughout small communities in Iran, although there seems to be a large population of people who follow the Baha'i faith in Tehran. Most of the Baha'i are of Persian descent, although there seem to be many among the Azerbaijani and Kurdish people. Followers of the Christian faith comprise around 250,000 Armenians, around 32,000 Assyrians, and a small number of Roman Catholic, Anglican, and Protestant Iranians that have been converted by missionaries in earlier centuries. Thus, Christians that live in Iran are primarily descendants of indigenous Christians that were converted during the 19th and 20th centuries. Judaism is an officially recognized faith in Iran, and in spite of the hostilities between Iran and Israel over the Palestinian issue, the millennia old Jewish community in Iran enjoys the right to practice their religion freely as well as a dedicated seat in parliament to a representative member of their faith. In addition to Christianity and Judaism, Zoroastrianism is another officially recognized religion in Iran, although followers of this faith do not hold a large population in Iran. In addition, although there have been isolated incidences of prejudice against Zoroastrians, most followers of this faith have not been persecuted for being followers of this faith.
Holidays in Iran 
The Persian year begins in the vernal equinox: if the astronomical vernal equinox comes before noon, then the present day is the first day of the Persian year. If the equinox falls after noon, then the next day is the official first day of the Persian year. The Persian Calendar, which is the official calendar of Iran, is a solar calendar with a starting point that is the same as the Islamic calendar. According to the Iran Labor Code, Friday is the weekly day of rest. Government official working hours are from Saturday to Wednesday (from 8 am to 4 pm).
Although the exact date of certain holidays in Iran are not exact (due to the calendar system they use, most of these holidays are around the same time). Some of the major public holidays in Iran include Oil Nationalization Day (March 21), Nowrooz—which is the Iranian equivalent of New Years (March 31), the Prophet’s Birthday and Imam Sadeq (June 4), and the Death of Imam Khomeini (June 5). Additional holidays include The Anniversary of the Uprising Against the Shah (January 30), Ashoura (February 11), Victory of the 1979 Islamic Revolution (April 2), Sizdah-Bedar—Public Outing Day to end Nowrooz (April 1), and Islamic Republic Day (January 20).
Wedding Ceremonies 
There are two stages in a typical wedding ritual in Iran. Usually both phases take place in one day. The first stage is known as “Aghd”, which is basically the legal component of marriage in Iran. In this process, the Bride and Groom as well as their respective guardians sign a marriage contract. This phase usually takes place in the bride’s home. After this legal process is over, the second phase, "Jashn-e Aroosi” takes place. In this step, which is basically the wedding reception, where actual feasts and celebrations are held, typically lasts from about 3–7 days. The ceremony takes place in a decorated room with flowers and a beautifully decorated spread on the floor. This spread is typically passed down from mother to daughter and is composed of very nice fabric such as “Termeh” (cashmere), “Atlas” (gold embroidered satin), or “Abrisham” (silk).
Items are placed on this spread: a Mirror (of fate), two Candelabras (representing the bride and groom and their bright future), a tray of seven multi-colored herbs and spices (including poppy seeds, wild rice, angelica, salt, nigella seeds, black tea, and frankincense). These herbs and spices play specific roles ranging from breaking spells and witchcraft, to blinding the evil eye, to burning evil spirits. In addition to these herbs/spices, a special baked and decorated flatbread, a basket of decorated eggs, decorated almonds, walnuts and hazelnuts (in their shell to represent fertility), a basket of pomegranates/apples (for a joyous future as these fruits are considered divine), a cup of rose water (from special Persian roses)—which helps perfume the air, a bowl made out of sugar (apparently to sweeten life for the newlywed couple), and a brazier holding burning coals and sprinkled with wild rue (as a way to keep the evil eye away and to purify the wedding ritual) are placed on the spread as well. Finally, there are additional items that must be placed on the spread, including a bowl of gold coins (to represent wealth and prosperity), a scarf/shawl made of silk/fine fabric (to be held over the bride and groom’s head at certain points in the ceremony), two sugar cones—which are grinded above the bride and groom’s head, thus symbolizing sweetness/happiness, a cup of honey (to sweeten life), a needle and seven strands of colored thread (the shawl that is held above the bride and groom’s head is sewn together with the string throughout the ceremony), and a copy of the couple’s Holy Book (other religions require different texts); but all of these books symbolize God’s blessing for the couple. An early age in marriage—especially for brides—is a long documented feature of marriage in Iran. While the people of Iran have been trying to legally change this practice by implementing a higher minimum in marriage, there have been countless blocks to such an attempt. Although the average age of women being married has increased by about five years in the past couple decades, young girls being married is still common feature of marriage in Iran—even though there is an article in the Iranian Civil Code that forbid the marriage of women younger than 15 years of age and males younger than 18 years of age.
Persian Rugs 
In Iran, Persian Rugs have always been a vital part of the Persian culture.
Iranians were some of the first people in history to weave carpets. First deriving from the notion of basic need, the Persian rug started out as a simple/pure weave of fabric that helped nomadic people living in ancient Iran stay warm from the cold, damp ground. As time progressed, the complexity and beauty of rugs increased to a point where rugs are now bought as decorative pieces.
Because of the long history of fine silk and wool rug weaving in Iran, Persian rugs are world-renowned as some of the most beautiful, intricately designed rugs available. Around various places in Iran, rugs seem to be some of the most prized possessions of the local people. It is no wonder that Iran currently produces more rugs and carpets than all other countries in the world put together.
Modern culture 
Contemporary Art 
There is a resurgence of interest in Iranian contemporary artists and in artists from the larger Iranian diaspora. Key notables include Shirin Aliabadi, Mohammed Ehsai, Ramin Haerizadeh, Rokni Haerizadeh, Golnaz Fathi, Monir Shahroudy Farmanfarmaian, Parastou Forouhar, Pouran Jinchi, Farhad Moshiri, Shirin Neshat, Parviz Tanavoli, Y. Z. Kami, and Charles Hossein Zenderoudi.
Traditional tea-houses of Iran 
There are countless numbers of traditional tea-houses (chai khooneh) throughout Iran, and each province features its own unique cultural presentation of this ancient tradition. However, there are certain traits which are common to all tea-houses, especially the most visible aspects, strong chai (tea) and the ever-present ghalyan hookah. Almost all tea-houses serve baqleh, steam boiled fava beans (in the pod), served with salt and vinegar, as well as a variety of desserts and pastries. Many tea-houses also serve full meals, typically a variety of kebabs as well as regional specialties.
Persian Gardens 
The Persian Garden was designed as a reflection of paradise on earth; the word "garden" itself coming from Persian roots. The special place of the garden in the Iranian heart can be seen in their architecture, in the ruins of Iran, and in their paintings.
Cuisine in Iran is considered to be one of the most ancient forms of cuisine around the world. Bread is arguably the most important food in Iran, with a large variety of different bread, some of the most popular of which include: nan and hamir, which are baked in large clay ovens (also called “tenurs”). In Iranian cuisine, there are many dishes that are made from dairy products. One of the most popular of which includes yoghurt (“mast”)—which has a specific fermentation process that is widely put to use amongst most Iranians. In addition, mast is used to make both soup and is vital in the production of oil. In addition to these dairy products, Iranian cuisine involves a lot of dishes cooked from rice. Iranians believe that rice grain contains the inscription “it is the god”. By eating rice grains, Iranians feel as though they are getting closer to their creator. Some popular rice dishes include boiled rice with a variety of ingredients such as meats, vegetables, and seasonings (“plov”) including dishes like chelo-horesh, shish kebab with rice, chelo-kebab, rice with lamb, meatballs with rice, and kofte (plain boiled rice). In addition, Iranian cuisine is famous for its sweets. One of the most famous of which includes “baklava” with almonds, cardamom, and egg yolks. Iranian sweets typically involve the use of honey, cinnamon, lime juice, and sprouted wheat grain. One very popular dessert drink in Iran, “sherbet sharbat-portagal”, is made from a mixture of orange peel and orange juice boiled in thin sugar syrup and diluted with rose water. Just like the people of many Middle Eastern countries, the most preferred drink of the people of Iran is tea (without milk) or “kakhve-khana”.
- The game of Polo originated with Iranian tribes in ancient times and was regularly seen throughout the country until the revolution of 1979 where it became associated with the monarchy. It continues to be played, but only in rural areas and discreetly. Recently, as of 2005, it has been acquiring an increasingly higher profile. In March 2006, there was a highly publicised tournament and all significant matches are now televised.
- The Iranian Zoor Khaneh
Women in Persian culture 
In Iran, religion has been a major source of power that has governed the way that women have been able to live their lives. There is a common theme of subordination that comes from the fact that religion has placed strict rules on the actions of women in Iran. While Sharia dictates the way that women are able to act in different Muslim countries, the people if Iran—especially the women—have a negative attitude toward veiling, dating, women’s dress code, and the general view on women Islam holds.
More recently, however, women have been taking more and more control of their lives. In modern Iran—post-revolutionary Iran—while it still is illegal for women to break dress code, there is a trend of young women that boldly walk around in public wearing makeup, tight coats (mãntos), brightly covered headscarves—with a lot of hair showing—and not get arrested. By disobeying dress code flagrantly, women in Iran are making a statement—one that is so powerful that one can almost see a “sexual revolution” sweeping over Iran. This revolution is supported by many parents of young women in Iran because of their being against the ideologies of the Islamic Republic. In this sense, it would seem as though not only are the young women of Iran taking control of their lives, but so too is the older generation of Iranians that have been oppressed by the Islamic Republic and Islamic law.
Traditional important days 
- Nowruz (Iranian New Year) - Starts from 21 March
- Sizdah be dar (Nature Day)
- Jashn-e-Tirgan (Water Festival)
- Jashn-e-Sadeh (Fire Festival)
- Jashn-e-Mehregan (Autumn Festival)
- Shab-e-Yalda (Winter Feast)
- Charshanbeh Suri
Traditional cultural inheritors of the old Persia 
Like the Persian carpet that exhibits numerous colors and forms in a dazzling display of warmth and creativity, Persian culture is the glue that bonds the peoples of western and central Asia. The Caucasus and Central Asia "occupy an important place in the historical geography of Persian civilization. Much of the region was included in the Pre-Islamic Persian empires, and many of its ancient peoples either belonged to the Iranian branch of the Indo-European peoples (e.g. Medes and Soghdians), or were in close cultural contact with them (e.g. the Armenians). In the words of Iranologist Richard Nelson Frye:
- "Many times I have emphasized that the present peoples of central Asia, whether Iranian or Turkic speaking, have one culture, one religion, one set of social values and traditions with only language separating them."
The Culture of Persia has thus developed over several thousand years. But historically, the peoples of Iran, Iraq, Armenia, Azerbaijan, Turkey, Georgia, Tajikistan, Afghanistan, and Uzbekistan originate from the same or similar stock, and are related to one another as part of the larger group of peoples of Greater Iran. The Northern Caucasus is well within the sphere of influence of Persian culture as well, as can be seen from the many remaining relics, ruins, and works of literature from that region.(e.g. 1) (e.g. 2)
Contributions to humanity in ancient history 
From the humble brick, to the windmill, Persians have mixed creativity with art and offered the world numerous contributions. What follows is a list of just a few examples of the cultural contributions of Greater Iran.
- (10,000 BC) - Earliest known domestication of the goat.
- (6000 BC) - The modern brick. Some of the oldest bricks found to date are Persian, from c. 6000 BC.
- (5000 BC) - Invention of wine. Discovery made by University of Pennsylvania excavations at Hajji Firuz Tepe in northwestern Iran.
- (5000 BC) - Invention of the Tar (lute), which led to the development of the guitar.
- (3000 BC) - The ziggurat. The Sialk ziggurat, according to the Cultural Heritage Organization of Iran, predates that of Ur or any other of Mesopotamia's 34 ziggurats.
- (2500 BC) - First Banking System of the World, at the time of the Achaemenid, establishment of Governmental Banks to help farmers at the time of drought, floods, and other natural disasters in form of loans and forgiveness loans to restart their farms and husbandries. These Governmental Banks were effective in different forms until the end of Sassanian Empire before invasion of Arabs to Persia.
- (2500 BC) - The word Check has a Persian root in old Persian language. The use of this document as a check was in use from Achaemenid time to the end of Sassanian Empire. The word of [Bonchaq, or Bonchagh] in modern Persian language is new version of old Avestan and Pahlavi language "Check". In Persian it means a document which resembles money value for gold, silver and property. By law people were able to buy and sell these documents or exchange them.
- (2000 BC) - Peaches are a fruit of Iranian origin, as indicated by their Latin scientific name, Prunus persica, from which (by way of the French) we have the English word "peach."
- Tulips were first cultivated in ancient Persia.
- (1400 BC) - The game of Backgammon appears in the east of Iran.
- (1400 BC - 600 BC) - Zoroastrianism: where the first prophet of a monotheistic faith arose according to some scholars, claiming Zoroastrianism as being "the oldest of the revealed credal religions, which has probably had more influence on mankind directly or indirectly, more than any other faith".
- (576 BC - 529 BC) - Under the rule of Cyrus the Great, the Cyrus Cylinder was issued. It was discovered in 1879 in Babylon and today is kept in the British Museum.
- (576 BC - 529 BC) - Under the rule of Cyrus the Great, Cyrus frees the Jews from Babylonian captivity. See Cyrus in the Judeo-Christian tradition.
- (521 BC) - The game of Polo.
- (500 BC) - World's oldest Staple (fastener).
- (500 BC) - The first Taxation system (under the Achaemenid Empire).
- (500 BC) - "Royal Road" - the first courier post.
- (500 BC) - Source for introduction of the domesticated chicken into Europe.
- (500 BC) - First cultivation of spinach.
- (400 BC) - Yakhchals, ancient refrigerators. (See picture above)
- (400 BC) - Ice cream.
- (250 BC) - Baghdad Battery (aka Parthian Battery). According to archaeological digs, the Parthians created the world's first batteries. Their original use is still uncertain, though it is suspected that they were used for electroplating.
- (250 BC) - Original excavation of a Suez Canal.
- (271 AD) - Academy of Gundishapur - The first hospital.
- (700 AD) - The cookie.
- (700 AD) - The windmill.
- (864 AD - 930 AD) - First systematic use of alcohol in Medicine: Rhazes.
- (1000 AD) - Introduction of paper to the west.
- (935 AD - 1020 AD) - Ferdowsi writes the Shahnama (Book of Kings) that resulted in the revival of Iranian culture and the expansion of the Iranian cultural sphere.
- (980 AD - 1037 AD) - Avicenna, a physician, writes The Canon of Medicine one of the foundational manuals in the history of modern medicine.
- (1207 AD - 1273 AD) - Rumi writes poetry and in 1997, the translations were best-sellers in the United States.
- Algebra and Trigonometry: Numerous Iranians were directly responsible for the establishment of Algebra, the advancement of Medicine and Chemistry, and the discovery of Trigonometry.
- Qanat, subterranean aqueducts.
- Wind catchers, ancient air residential conditioning.
- "Virtually all European scholars claim that Arabic music has Persian origins".
See also 
- International Rankings of Iran in Culture
- Encyclopædia Iranica (30-volume encyclopaedia of Iran's culture; edited and published by Columbia University & funded by the National Endowment for the Humanities)
- Higher education in Iran
- Iranian calendar
- Iranian continent
- Iranian Studies
- Media of Iran
- Museums in Iran
- Persian cuisine
- Persian names
- Persian women
- Persophilia, the admiration of Iranians and their culture
- Taarof (Persian form of civility emphasizing both self-deference and social rank)
- Greater Iran, Mazda Publishers, 2005. ISBN 1-56859-177-2 p. xi
- Milani, A. Lost Wisdom. 2004.ISBN 0-934211-90-6 p.15
- HOUSHMAND, Zara, "Iran", in Literature from the "Axis of Evil" (a Words Without Borders anthology), ISBN 978-1-59558-205-8, 2006, pp.1-3
- Shaul Shaked, From Zoroastrian Iran to Islam, 1995; and Henry Corbin, En Islam Iranien: Aspects spirituels et philosophiques (4 vols.), Gallimard, 1971-3.
- "Iran (The Republic of) Key Facts". Ameinfo.com.
- "Iran Index of Religion". About.com.
- "Iran Holidays 2013". Q++ Studio.
- "Persian Wedding Traditions and Customs". Farsinet.com.
- Momeni, Djamehid (August 1972). "The Difficulties of Changing the Age at Marriage in Iran". Journal of Marriage and Family: 545.
- Opie, James (1981). Tribal Rugs of Southern Persia. Portland, OR. p. 47.
- "Persian Rugs, Persian Carpets, and Oriental Rugs". Farsinet.com.
- name="Contemporary Art">"Forbes: Why Today's Iranian Art is One of your best investments".
- "Iranian National Cuisine". The Great Silk Road.
- Ansari, Sarah (2002). Women, Religion, and Culture in Iran. Richmond, Surrey: Curzon in Association with the Royal Asiatic Society of Great Britain and Ireland. p. 2.
- Ansari, Sarah (2002). Women, Religion, and Culture in Iran. Richmond, Surrey: Curzon in Association with the Royal Asiatic Society of Great Britain and Ireland. p. 195.
- Mahdavi, Pardis (2009). Passionate Uprisings: Iran's Sexual Revolution. Stanford, CA: Stanford University Press. p. 37.
- Mahdavi, Pardis (2009). Passionate Uprisings: Iran's Sexual Revolution. Stanford, CA: Stanford University Press. p. 47.
- Edmund Herzing, Iran and the former Soviet South, The Royal Institute of International Affairs, 1995, ISBN 1-899658-04-1 p.48
- Iran's contribution to the world civilization. A.H. Nayer-Nouri. 1969. Tehran, General Dept. of Publications, Ministry of Culture and Arts. OCLC number: 29858074 Perry-Castañeda Library Reprinted in 1996 under the title: سهم ارزشمند ایران در فرهنگ جهان
- "The effect of Persia's culture and civilization on the world" (Taʼ̲sīr-i farhang va tamaddun-i Īrān dar jahān). Abbās Qadiyānī (عباس قدياني). Tehran. 2005. Intishārāt-i Farhang-i Maktūb. ISBN 964-94224-4-7 OCLC 70237532
- Link: http://web.utk.edu/~persian/goat.htm
- Arthur Upham Pope, Persian Architecture, 1965, New York, p.15
- Link: University of Pennsylvania http://www.museum.upenn.edu/new/research/Exp_Rese_Disc/NearEast/wine.shtml
- Link: http://www.birdnature.com/nov1899/peach.html
- Abbas Milani. Lost Wisdom. 2004. Mage Publishers. p.12. ISBN 0-934211-90-6
- Mary Boyce, "Zoroastrians", London, 1979, 1.
- Link: BBC http://news.bbc.co.uk/2/hi/middle_east/4272210.stm
- Link: http://www.free-definition.com/Abu-Bakr-Mohammad-Ibn-Zakariya-al-Razi.html
- Link: http://web.utk.edu/~persian/paper.htm
- Refer to article by the Christian Science Monitor - http://www.csmonitor.com/1997/1125/112597.us.us.3.html.
- Hill, Donald. Islamic Science and Engineering. May 1994. Edinburgh University Press. p.10
- Sardar, Ziauddin. Introducing Mathematics. Totem Books. 1999.
- The Golden Age of the Moor. By Ivan van Sertima. 1992. Transaction Publishers. ISBN 1-56000-581-5. p.17
Further reading 
- Michael C. Hillman. Iranian Culture. 1990. University Press of America. ISBN 0-8191-7694-X
- George Ghevarghese Joseph.The Crest of the Peacock: The Non-European Roots of Mathematics. July 2000. Princeton U Press.
- Welch, S.C. (1972). A king's book of kings: the Shah-nameh of Shah Tahmasp. New York: The Metropolitan Museum of Art. ISBN 9780870990281.
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